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Aspects of Authenticity

Fakes, Completions and the Art of Borrowing by Professor Christopher Hogwood. Although Mozart's unfinished Requiem is the most publicised composition requiring a helping-hand, there are many similar incomplete may-be masterpieces which have been assisted in some way, plus a number of well-loved classics which have very little connection with their supposed author ('Albinoni's Adagio' heads such a list). In addition composers of all periods have been open to the 'art of borrowing' - Handel was particularly active in this area and the reasons and results of his 'borrowings' shed a new light on some very familiar compositions.
(from gresham.ac.uk)

Fakes, Completions and the Art of Borrowing


Go to the Series Home or watch other lectures:

1. The Past is a Foreign Country
2. St Cecilia and Music: True or False?
3. Fakes, Completions and the Art of Borrowing
4. The Authenticity of Genius
5. From Composer to Printed Page
6. From Printed Page to Performance