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Men, Women and Guitars in Romantic England

Being a Guitarist in the Time of Byron and Shelley by Professor Christopher Page. With a player's insight (a guitar of 1825 is my main instrument) this lecture explores the experience of the Regency guitarist: the day-to day business of buying and learning the instrument for the purposes of cutting a figure as a salon amateur or indeed as a professional (to the extent that such a career was feasible - an issue to be explored). It will consider the availability of sheet-music with arrangements of opera favourites, the rise of the governess guitar teacher, the struggle of enthusiasts to cope with contemporary prejudices against the guitar, and the miseries of slipping pegs, breaking strings and damp. The role of the newspapers in advertising instruments, concerts and new music will be an underlying theme of this and several other lectures in the series. (from gresham.ac.uk)

Being a Guitarist in the Time of Byron and Shelley


Go to the Series Home or watch other lectures:

1. The 'Romantic' Guitar
2. Being a Guitarist in the Time of Byron and Shelley
3. The Guitar, the Steamship and the Picnic: England on the Move
4. The Guitar and the Romantic Vision of the Medieval World
5. Harmony in the Lowest Home: The Guitar and the Labouring Poor
6. The Guitar and the 'the Fair Sex'