InfoCoBuild

Men, Women and Guitars in Romantic England

The Guitar, the Steamship and the Picnic: England on the Move by Professor Christopher Page. In the early nineteenth century, there developed an intimate and unique association between the eminently portable guitar, an instrument capable of full harmony, and new forms of travel. Between 1800 and 1820 a new fashion for picnics arose, together with a vogue for sketching parties to capture picturesque scenes or ruins. The guitar was an ideal instrument for the many different movements of a society that was becoming increasingly mobile well before the beginnings of the railway. By 1825, steamships could be hired for excursions down the Thames or, moving out through the estuary, to Margate or to Dieppe; this kind of excursion, complete with guitars, is described by Charles Dickens in Sketches by Boz. As a result, certain coastal resorts became important centres of amateur guitar playing, and one, namely Brighton, where this lecture will come to rest, grew in royal favour to the point where major players gave recitals there. (from gresham.ac.uk)

The Guitar, the Steamship and the Picnic: England on the Move


Go to the Series Home or watch other lectures:

1. The 'Romantic' Guitar
2. Being a Guitarist in the Time of Byron and Shelley
3. The Guitar, the Steamship and the Picnic: England on the Move
4. The Guitar and the Romantic Vision of the Medieval World
5. Harmony in the Lowest Home: The Guitar and the Labouring Poor
6. The Guitar and the 'the Fair Sex'